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PASTELS
have been my medium of choice for over 20 years. They
combine my love of drawing with the lushness of painting,
with pastels’ layering effects with the full range of the
hues of oils.
The
FIGURE
– painting the figure has been my love since I started
painting over 40 years ago. But it hasn’t been until
recently until I have integrated the figure into my
paintings so that the figure is fully part of the greater
painting, not a figure with a background added.
ROOMSCAPES
(interiors) have continued to be my main interest, as they
have for over twenty years. Only recently, though, I have
added the human presence. By choosing to portray figures in
local institutions, historic restaurants, intimate cafes,
grand theatres…and the warm, inviting homes of the city’s
residents, I am bringing together my strength as an artist
and my love of this city both which need to survive and
thrive.
Light,
whether it is the warm of sunlight streaming in a window
or the subtle coolness of northern light enveloping a
room, is one of the major elements in the mood and
atmosphere of interiors. It is that quality of light and
shadow that can fill a room and transform it from the
ordinary to the sublime. I would like the viewer to
experience such feelings of tranquility, warmth,
serenity, energy…...
KATRINA
PHOTOGRAPHS
I spent October, 2005 through March, 2006 taking photographs
of the ravages of Katrina as some way for me to deal with
the tragedy of the people of the city and my own guilt
having had my home sustain only minor damage. What was most
moving was that in the beginning, I saw no people, no moving
cars, no birds, no vegetation, no sound other than the
rustling of debris. This wasteland had no beginning and no
end. To document panoramic views of this tragedy was simply
too depressing a task for me, nor did it interest me to do
that.
My view in life has always
been to find the beauty and humanity in what I see. I
decided to attempt to find them, if any, in this
devastation, by zooming down to a more personal level and
photographing small slices of “life. Simple objects could
represent enormous loss. The images are universal, yet
personal.
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